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15 Collection of Generative Writing Exercises

GENERATIVE WRITING EXERCISES IN CLASS

BLUEPRINT DRAWING

Have students pick a shape, or draw a simple shape. Have them write an essay that structurally follows the shape of this drawing – rather than say, the freitag pyramid (Perhaps pair with a discussion of Ursula K. Le Guin’s essay “Carrier Bag Theory of Fiction.”) As if the shape is the schematic or the blueprint for the essay itself.

 

OBJECT PERSPECTIVE

As students are working on their class essays, have students write from the point of view of an object in the room, rather than the point of view of their narrator.

GENRE SHIFT
Have students write a scene from their essay as a playscript or screenplay.

TEXT CARD IMAGE CARD

Give every student two notecards. On each notecard, students will write one question they have about live at the moment, and one image that struck them in the past week. Collect the cards. Mix them up. Have each student draw one question and one image. For 20 minutes have the students write an essay with the question they choose as their guiding “aboutness” — and the image they drew as a moment in the piece.

 

RANDOM WORD GENERATOR

Have students write for 10 minutes. To begin writing, give students one word to incorporate into their writing (example: “sugar”) After a minute, read out another word from the list for them to incorporate (“archipelago”). As they write, continue offering a word each minute to incorporate.

 

PROMPTED BY ANOTHER’S BEGINNING

Read a short poem or prose passage out loud to the class. Allow students to absorb the art of it. Then repeat only the first line of this poem or passage, and have students write down this line. With this line as a beginning, have students write their own essay.

 

WORLD WATCHING
Take your students to a public place. Have them write down things they hear people saying for five minutes. Words or scraps of phrases. A sound they heard. Something visual they noticed. From one of these notions, have students freewrite for 20 minutes in that location.
CLOSE LOOKING AND NONACTION AT THE GALLERY

Bring your students to the museum. Have them each sit in front of a piece of art, silently, for 15 minutes. They should not write down anything, they should not look away from the piece of art. They will spend time with it. Getting to know the art. The average museum goer spends 15 seconds with a piece of art — how does a piece of art change when we allow it to emerge, when we live with it? After this exercise, have the students describe what the art is. Write for 15 minutes.

 

 

GENERATIVE EDITING PROMPTS

 

REWRITE WRONG
Rewrite a scene or a section of your essay just in opposite. Say what didn’t happen, rather than what did.

 

JOURNAL PROMPT

JOURNAL OF SENSE AND METAPHOR

Have students keep a journal of things they notice in the world. For the first week, have them just write down what they can sense — not using any metaphor. Only describing with the senses. Be exact about this. Share the examples in class, and discuss  moments where students may be accidentally describing something that is actually abstract/metaphorical, or conceptual, rather than what is just physically THERE.
The next week, assign the same project of description, but allow students to use metaphors as they describe things in the world that interest them.
Discuss: What changes when we focus purely on the physical, the descriptive, versus when we allow the abstract or metaphoric into our writing about the world?

 

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